This book is a comprehensive guide to the evidence, theories, and practical issues associated with recovery from stuttering in early childhood and into adolescence. It examines evidence that stuttering is associated with a range of biological factors - such as genetics - and psychological factors - such as anxiety - and it critically assesses theoretical accounts that attempt to integrate these findings. Written so that it can be used flexibly to meet the demands of courses about stuttering, the book may be used as a text at the undergraduate or graduate level in psychology or speech-language science.

How did romanticism define its relationship with its sources? How has romanticism since been understood and misunderstood across a range of cultural activities? These are among the questions taken up in this reexamination of the place of adaptation within romanticism. Renegotiating the cultural topography of the period and the place of romanticism in subsequent cultural history, the volume focuses on the adaptation of source material by romantic writers and the adaptation in subsequent periods of the tropes and ideologies associated with romanticism. In place of a hierarchical distinction between source and text, between 'romanticism' and its contexts, the collection identifies distinct but overlapping and mutually constitutive genres such as the Gothic and romance. Whether their essays deal with early nineteenth-century periodical reviews, affordable editions of Pride and Prejudice aimed at the late nineteenth-century mass audience, or the ongoing cultural presence of romanticism in late twentieth- and early twenty-first-century debates about embryology and stem cell research, the contributors remain cognizant of the tension between the processes of adaptation and the apparent ideology of romantic originality.

"This book is a comprehensive guide to the evidence, theories, and practical issues associated with recovery from stuttering in early childhood and into adolescence. It examines evidence that stuttering is associated with a range of biological factors such as genetics and psychological factors such as anxiety, and it critically assesses theoretical accounts that attempt to integrate these findings. Written so that it can be used flexibly to meet the demands of courses about stuttering, the book may be used as a text at the undergraduate or graduate level in psychology or speech-language science"--Provided by publisher.

This is the first biography of John Francis Bentley (1839-1902), best known as architect of Westminster Cathedral, since his daughter Winefride de l'Hopital's Westminster Cathedral and its Architect (1919). Bentley was born in Doncaster, Yorkshire, and went to London to work in the office of Henry Clutton, a distinguished High Victorian architect who became a Roman Catholic in 1856. Bentley also converted, and, after setting up his own practice in 1860, came to be widely recognised as the best Catholic architect of his time. He built comparatively few complete churches, but did extensive work in adding to and furnishing other architects' churches. He had remarkable skill in the design of woodwork, metalwork, stained glass, and organ cases, all of which are covered in the book. His finest parish church is Holy Rood, Watford, but the climax of his career was the commission in 1894 to design Westminster Cathedral, which was almost complete when he died in 1902.

In this first book to explore the entire history of triumphal arches, from their Roman origins to the present day, the Classicist and architectural historian Peter Howell describes arches through time, in terms of their cultural and historical significance. He also discusses the form of the arch in Renaissance painting and the rather surprising use of arches as war memorials. The erection of arches is far from dead, and Howell shows us examples, taken from over thirty years of research, from around the world.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Feeds And Their Use: Inspection And Analyses; Issue 223 Of Bulletin (Kentucky Agricultural Experiment Station) J. D. Turner, Alfred Meredith Peter, Howell Davis Spears Kentucky Agricultural Experiment Station, University of Kentucky, 1919 Technology & Engineering; Agriculture; General; Feeds; Technology & Engineering / Agriculture / Animal Husbandry; Technology & Engineering / Agriculture / General

Martial (Marcus Valerius Martialis) was a Spanish writer who lived in Rome in the second half of the first century AD. He wrote only in the genre of epigram, invented by the Greeks, which he chose because of his dislike of all that was pretentious and escapist in contemporary literature, where stale mythological topics were regarded as both 'elevated' and, in times of political danger, safe. His own boundless interest in the life he saw around him in Rome, and his sense of humour, led him to prefer to express himself in short and highly polished poems. He brought the genre to such a pitch of perfection that his work has defined it for subsequent authors. Although only a limited number of his own epigrams conform to the dictionary definition as 'a short poem ending in a witty turn of thought', their effectiveness has shaped this definition. This book tells what we know about the man's commonsense attitude to life, and his hatred of hypocrisy and malice. It assesses his debt to literary tradition and the astonishing influence he had on later writers. Part of the "Ancient in Action" series this new series of short incisive books introduces major figures of the ancient world to the modern general reader, including the essentials of each subject's life, works, and significance for later western civilisation.

The threat to use military force is a matter that commands immediate attention from many segments of government. Karsten, Howell, and Allen systematically analyze statistically significant numbers of actual cases to discover the determinants of success or failure of the threat to employ military force. After describing their methodology, they address several questions: what are the general characteristics of the typical threat? what types of threats succeed? what threats lead to war? did threats in the prenuclear past differ in outcome from those in the nuclear present? have the United States' threats differed substantially from those of other nations? can anything be said concerning the long-term consequences of the threats? In a concluding chapter the authors summarize their findings, compare them to the conventional wisdom, and then, as a test, apply them to six historical cases. They end their study with a look at the Solidarity and Falklands crises, and a theoretical scenario that suggests the significance of their findings.

The world around us, natural or man-made, is built and held together by solid materials. Understanding their behaviour is the task of solid mechanics, which is in turn applied to many areas, from earthquake mechanics to industry, construction to biomechanics. The variety of materials (metals, rocks, glasses, sand, flesh and bone) and their properties (porosity, viscosity, elasticity, plasticity) is reflected by the concepts and techniques needed to understand them: a rich mixture of mathematics, physics and experiment. These are all combined in this unique book, based on years of experience in research and teaching. Starting from the simplest situations, models of increasing sophistication are derived and applied. The emphasis is on problem-solving and building intuition, rather than a technical presentation of theory. The text is complemented by over 100 carefully-chosen exercises, making this an ideal companion for students taking advanced courses, or those undertaking research in this or related disciplines.

The world around us, natural or man-made, is built and held together by solid materials. Understanding their behaviour is the task of solid mechanics, which is in turn applied to many areas, from earthquake mechanics to industry, construction to biomechanics. The variety of materials (metals, rocks, glasses, sand, flesh and bone) and their properties (porosity, viscosity, elasticity, plasticity) is reflected by the concepts and techniques needed to understand them: a rich mixture of mathematics, physics and experiment. These are all combined in this unique book, based on years of experience in research and teaching. Starting from the simplest situations, models of increasing sophistication are derived and applied. The emphasis is on problem-solving and building intuition, rather than a technical presentation of theory. The text is complemented by over 100 carefully-chosen exercises, making this an ideal companion for students taking advanced courses, or those undertaking research in this or related disciplines.

The essays in this volume reinterpret and contest the Gothic cultural inheritance, each from a specifically twenty-first century perspective. Most are based on papers delivered at a conference held, appropriately, in Horace Walpole's Gothic mansion at Strawberry Hill in West London, which is usually seen as the geographical origin of the first, but not the last, of the many Gothic revivals of the past 300 years. In a contemporary context, the Gothic sensibility could be seen as a mode particularly applicable to the frightening instability of the world in which we find ourselves at the beginning of the twenty-first century. The truth is probably less epochal: that Gothic never went away (when were we ever without fear?), or at least has persisted since its resurgence in the late nineteenth century. Gothic is at least as modern as it is ancient, and each essay in this collection contributes to current scholarship on the Gothic by exploring a particular aspect of Gothic's contemporaneity. The volume contains papers on horror novels and cinema, poetry, popular music and fan cultures.